Rebecca Traister Is Mad. And That’s Okay.
Rebecca Traister is angry. She is angry, and every day strangers criticize her rage, or tell her she sounds like a fool, or that attractive women should not get angry.
Rebecca Traister is angry. She is angry, and every day strangers criticize her rage, or tell her she sounds like a fool, or that attractive women should not get angry.
In the year since the Harvey Weinstein case hit the headlines and the #MeToo movement exploded in every direction, I’ve felt increasingly distressed by the number of prominent Jewish men among the accused. Aside from the obvious names—from Senator Al Franken to conductor James Levine, from actors and journalists to Judge Alex Kozinski—one that particularly troubles me is scholar-macher Steven M. Cohen, the sociologist whose in-depth surveys have helped American Jews understand ourselves better, and who happens to be my long-term acquaintance.
Forty-six years after the first American woman rabbi was ordained, Judaism is transformed.
The movie’s success is impressive considering the heavyweight competition it stood up against.
In the Jewish communal world, addressing systemic harassment and abuse comes with its own complications.
WePower has a pretty clear goal: equal representation in Israeli political life by the year 2030.
The central figure of Song of Songs is an unnamed young woman, referred to variously including as “the Shulamite,” who asserts her sexual and emotional agency while others attempt to control her.
Suddenly, strong arms enveloped me from behind and a man’s body pressed up against my posterior. I looked around, startled. I was stunned to see it was our host, the presidential candidate.
Sarsour, like the activists from the International Women’s Strike, is a committed supporters of the Boycott, Divestment and Sanctions (BDS) movement that singles out Israel and Zionism for condemnation. This reflects not only a misunderstanding of Zionism but a violation of some of the most basic feminist principles.
Suleiman’s new book, The Némirovsky Question: The Life, Death and Legacy of a Jewish Writer in 20th-Century France, explores Némirovsky’s tragic career and the deteriorating civil society of pre-World War II France that first nurtured the writer and then ultimately turned on her. Drawing on parallels to her own life, Suleiman makes of the story a meditation on allegiance, foreignness and assimilation—one with uncanny echoes for today’s politics.
Rabbi Yigal Levenstein’s crude, misogynist, hate-filled statements about religious women serving in the Israel Defense Forces, leave little doubt as to what he thinks about women in the army and about Israeli society in general.
Until the 1980s, women were a small minority among Hebrew writers. There was Russian-born Rahel Bluwstein (1890–1931), considered the “founding mother” of modern Hebrew poetry by women. Esther Raab (1894–1981) was the first native-born Israeli woman poet, principally known for her rich use of modern Hebrew.